Antique Portrait Painting Of A Young Women

A lovely quality 19th century oil on canvas portrait painting of a young boy in a period frame. Some old repairs on the frame.

A lovely naive 19th century Folk Art portrait painting of a young girl picking wild flowers with a basket. Three quarter length oil on canvas. In a bird-eye maple frame. The painting...

A nice antique oil on panel of a French Castle in a nice decorative wooden frame.

A stunning oil on canvas of RAF Lancaster Bombers returning from a mission over Germany in WWII. It has exceptional quality and detail. By South African ...

A beautiful decorative French table from the early 20th century. With lovely decorative wood carvings and original worn paint. Circa 1900 in date.

A nice decorative antique mirror with original foxed glass mirror plate. It has a lovely decorative frame which has nice worn paint giving it a grea...

This original antique oval painting depicts a young girl in period attire of Victorian England. The painting is done on canvas board with a gilt ...

The category Antique Paintings, Antique Portraits of Women offers a portrait of a Beautiful Young Breton Girl with typical headdress, an Oil Painting on Canvas, late 19th century. A...

ANTIQUE ORIGINAL OIL ON CANVAS PAINTING DEPICTING A FEMALE SITTER A captivating portrait depicting a young woman with a kind yet powerful face dressed in white and against a green-m...

Portrait of a young woman ,wearing a bouquet of chrysanthemums in her hair.(Allegory of Spring?) SCHREIBER Charles Baptiste (1847-1902) He studied in...

This very well executed antique oil painting is unsigned, with unknown origins, and is presumed to date to approximately 1920 and done in the period impressionistic style. The painti...

Alfred Schmidt (1876 ????- 1956) – Portrait of the concert singer Caroline Naase Oil on canvas circa 1920 60 x 47 cm – without frame 78 x 65 cm – frame included Signed center right: Alf Schmidt. Alfred Schmidt 1876 Dresden – 1956 Graefelfing An impressionist at the Chiemsee The painterly mood content, which the artist Alfred Schmidt captured in countless variations on the canvas, occupies such an eminent and substantial position that it is inextricably linked to his oeuvre. “[…] Female creatures walking in the shimmering air […]”(1), who find their pleasure in the warm, golden tones of summer and the grey-silver shimmering water surface of the lake, correspond to the characteristic motif of the native of Dresden. One is inevitably reminded of the impressionist Christian Landenberger (1862-1927), to whom Schmidt was a friend and who painted canvas on canvas at Lake Ammersee, but “[…] softer, sweeter and more narrative, because he [Schmidt] often expands on that Nature and the human body come together to create a small, genre-like idyll”(2). His art is a commitment to plein air painting. He openly displays his impressionistic impetus. The originally anecdotal aspects of his painting, which he had experienced at the Karlsruhe Academy from 1886 to 1893, he gradually put aside both through the one-year study visit to Paris and Brittany in 1889 and through the influence of Landenberger and Swabian landscape painting. From this point onwards, artistic development is hardly noticeable. He had found his individual style and stuck to it. At the end of 1899, Schmidt came to the Swabian capital from Karlsruhe in the entourage of Leopold Graf von Kalckreuth (1855-1922), who was appointed to the Stuttgart Academy with Carlos Grethe (1864-1913) and Robert Poetzelberger...